A Comprehensive Guide to Art Paper

Introduction

Paper is the foundation of many artistic works, influencing everything from texture to color vibrancy and durability. Whether you're a painter, printmaker, or illustrator, selecting the right paper ensures your artwork looks its best and stands the test of time. This guide explores different types of art papers, their history, uses, and care.

Table of Contents

• A Brief History of Art Paper
• Understanding Paper Qualities
• Machine-Made vs. Handmade Paper
• Binding Types and Uses
• Understanding Sizing in Paper
• Proper Storage and Care for Art Papers
• Traveling and Transporting Paper
• Preventing Common Paper Problems
• Paper Types by Medium
• Brands: Canson, Strathmore, and Arches
• Best Paper for Different Types of Art
• Paper Brands and their Paper
• Conclusion

A Brief History of Art Paper

Paper has been a staple in artistic expression for centuries, originating in China around 200 BCE. Early artists used parchment, vellum, and handmade rag paper before mass-produced wood pulp paper became available. Today, artists have access to high-quality, archival papers designed for specific mediums, offering various textures, weights, and finishes.

Understanding Paper Qualities

Before diving into paper types, let’s break down key characteristics:

Weight – Measured in pounds (lb) or grams per square meter (gsm). Higher-weight paper is thicker and more durable.

Texture (Tooth) – Ranges from smooth (hot press) to rough (cold press). Affects how mediums adhere and absorb.

Hot Press: Smooth (best for ink, detail work)

Cold Press: Moderate Texture (good for layering & watercolor)

Rough: Maximum Texture (for bold effects & heavy applications)

Acid-Free vs. Non Acid-Free – Acid-free paper resists yellowing and degradation over time, making it essential for archival work.

Archival Quality – Papers labeled as archival are acid-free, lignin-free, and often 100% cotton or rag-based, ensuring longevity.

Rag & Cotton Papers – Made from 100% cotton fibers (rather than wood pulp), these papers are exceptionally durable, absorbent, and resistant to deterioration. They are preferred for fine art, watercolor, printmaking, and professional drawing applications.

Sizing – Internal and external sizing affects absorbency, crucial for watercolor and ink applications.

Surface Finish – Glossy, matte, coated, or uncoated finishes affect how ink and paint interact with the paper.

Machine-Made vs. Handmade Paper

Machine-Made Paper – Produced in large-scale mills using automated processes. The fibers are evenly distributed, resulting in a uniform texture, weight, and absorbency. Most drawing, watercolor, and printmaking papers are machine-made, offering consistency and affordability.

Handmade Paper – Crafted by hand using traditional methods, often with organic or recycled materials. These papers have irregular textures, natural deckled edges, and unique fiber patterns. Handmade papers (such as Black Ink papers, Lokta, and Kozo) are valued for their distinct character and eco-friendly production.

Mould-Made Paper – A hybrid process where paper is crafted on a cylinder mold, giving it a more natural feel than machine-made paper but with greater consistency than handmade paper. High-end watercolor and printmaking papers (such as Arches and Hahnemühle) are often mould-made.

Binding Types & Uses

Understanding how papers are bound can help artists choose the best format for their workflow.

Loose Sheets & Single Sheets – Ideal for artists who prefer working on individual pieces. Great for framing and custom cutting.

Pads (Glued Edge) – Paper is glued along one side for easy tearing. Common in sketchpads and watercolor blocks.

Tape-Bound Pads – A stronger hold than glue, with sheets that can be removed cleanly.

Spiral-Bound – Pages turn easily and lay flat, making them great for sketchbooks and journals.

Hardcover & Softcover Sketchbooks – Durable covers protect pages, perfect for travel and long-term projects.

Watercolor Blocks – Paper is glued on all four sides to prevent warping. Sheets are removed by inserting a palette knife along the edges.

Accordion/Fan-Fold Books – Continuous sheets folded like an accordion, great for storytelling and sequential artwork.

Stitched & Sewn Bindings – Found in premium sketchbooks and journals, offering extra durability and a lay-flat design.

Wire-Bound & Ring-Bound – Common in sketchbooks and marker pads, allowing pages to be flipped easily or removed.

Which One Should You Choose?

• Loose sheets & blocks work well for finished artwork and painting.
• Spiral and stitched books are best for sketching and on-the-go use.
• Glued and tape-bound pads are good for easy removal of sheets.

Understanding Sizing in Paper

Sizing is an essential factor in how paper interacts with various art mediums. It refers to the treatment applied to paper to control its absorbency, ensuring that ink, watercolor, or paint does not bleed excessively into the fibers. There are different types of sizing, and understanding them helps artists choose the best paper for their technique.

Types of Sizing

Internal Sizing (Also called Engine Sizing)

• Added during the papermaking process, mixed directly into the pulp before the sheets are formed.
• Reduces absorbency, making the paper less likely to warp or feather when exposed to moisture.
• Common in drawing papers, printmaking papers, and professional watercolor papers to provide a balanced level of absorbency.

External Sizing (Also called Surface Sizing)

• Applied after the paper is formed, coating the surface with gelatin, starch, or synthetic materials.
• Helps control how water, ink, or paint sits on the surface rather than soaking in.
• Used in watercolor and ink papers to ensure crisp lines and vibrant colors.

Hard vs. Soft Sizing

Hard-Sized Paper – Less absorbent, allowing media to sit on the surface for sharper details and slower drying. Ideal for fine-line ink work, lettering, and printmaking.

Soft-Sized Paper – More absorbent, allowing for greater color blending and diffusion. Preferred for wet washes in watercolor.

Unsized Paper (Waterleaf Paper)

• Highly absorbent because no sizing has been added.
• Common in blotting papers, handmade papers, and certain printmaking papers where full absorbency is desired.

How Sizing Affects Different Media

Watercolor & Gouache – Needs balanced sizing to prevent paint from sinking in too quickly, which can dull colors.

Ink & Calligraphy – Requires a smooth, well-sized surface to prevent feathering and ensure crisp lines.

Printmaking – Some printmaking techniques, like etching and lithography, prefer internally sized papers, while others, like relief printing, benefit from less sizing to enhance ink transfer.

Charcoal & Pastel – Preferably on lightly sized paper to maintain enough tooth for pigment adhesion.

How to Alter Sizing on Paper

Artists sometimes modify the sizing of paper to fit their needs:

Gelatin or Alum Baths – Can be applied to add sizing to highly absorbent handmade or watercolor papers.

Washing Paper – Soaking paper in water can remove or reduce surface sizing, making it more absorbent for wet media.

Spray Sizing Fixatives – Available for artists who want to increase the paper's resistance to moisture and ink spread.

Proper Storage & Care for Art Papers

Storing paper correctly ensures its longevity, maintains its quality, and prevents damage like warping, yellowing, or tearing. Whether you’re an artist, designer, or printmaker, following best practices will help preserve your materials for future use.

General Paper Storage Tips

Keep Paper Flat – Store loose sheets in flat files, portfolios, or between acid-free boards to prevent curling and creases.

Use Acid-Free Storage Materials – Avoid contact with cardboard, non-archival folders, or acidic surfaces that can cause discoloration.

Control Humidity & Temperature – Store paper in a cool, dry place (ideal: 50-65% humidity, 60-75°F) to prevent warping or mold growth.

Avoid Direct Sunlight – UV exposure can cause yellowing and fading, especially in handmade, recycled, and toned papers.

Handle with Clean Hands – Oils and moisture from fingers can cause staining and degradation over time.

Storing Different Types of Paper

Drawing & Sketch Papers

• Keep in flat files or portfolios to prevent bending.
• Spiral-bound sketchbooks should be stored vertically to avoid pressure on the binding.
• Use interleaving sheets (tracing paper or glassine) to protect finished drawings from smudging.

Watercolor & Wet Media Papers

• Blocks & Pads should be stored flat to prevent warping.
• Loose sheets should be placed in archival folders or sealed plastic sleeves to protect against moisture.
• Pre-stretch large sheets before use to avoid buckling when wet.

Printmaking Papers

• Store in flat drawers or archival boxes to prevent creases.
• Keep handmade and unsized papers in breathable sleeves or paper folders to avoid excessive drying.
• Use interleaving sheets to prevent ink transfer between prints.

Vellum, Tracing, & Transparent Papers

• Store flat, between rigid boards to prevent curling.
• Avoid exposure to moisture, as these papers are highly absorbent.
• Keep away from direct heat (e.g., near lamps, heaters) to prevent warping.

Foam Core, Matboard, & Rigid Boards

• Store vertically in a dry, cool space to prevent warping.
• Keep away from high humidity—foam core and matboard can easily absorb moisture and become wavy.
• Protect edges with corner guards if stacking boards to prevent damage.

Handmade & Specialty Papers

• Use acid-free tissue paper between sheets to prevent texture transfer.
• Store in portfolios or breathable folders (plastic sleeves can trap moisture).
• Keep away from extreme dryness, which can cause some handmade fibers to become brittle.

Eco-Friendly & Recycled Papers

• Because these papers may be more absorbent or softer, store them in archival folders or paper boxes.
• Use minimal pressure when stacking to avoid compressing delicate textures.

Traveling & Transporting Paper

• Use rigid portfolios or art tubes for carrying large sheets safely.
• Protect corners with reinforced edges to prevent bending.
• For fragile or handmade papers, sandwich them between two pieces of matboard when traveling.

Preventing Common Paper Problems

Warping & Buckling – Keep stored flat; control humidity levels.

Yellowing & Acid Damage – Use acid-free storage; avoid contact with non-archival materials.

Mold & Moisture Damage – Store in a dry area; use silica gel packs in storage containers if needed.

Ink & Graphite Smudging – Use interleaving sheets like glassine for protection.

Proper storage extends the life of your paper, ensuring it remains archival, crisp, and ready for your next masterpiece!

Paper Types by Medium

Type of Art (Medium)	Recommended Brands	Artist Level
Sketching & Drawing	Strathmore, Canson, Legion (Stonehenge), Fabriano (EcoQua)	Beginner - Professional
Watercolor	Arches, Fabriano (Artistico), Stonehenge Aqua, Canson, Strathmore	Intermediate - Professional
Acrylic & Mixed Media	Strathmore (Mixed Media), Canson, Fabriano, Legion (Stonehenge)	Beginner - Professional
Printmaking	Legion (BFK Rives, Stonehenge), Arches Printmaking, Black Ink	Intermediate - Professional
Pastel & Charcoal	Canson (Mi-Teintes), Fabriano (Tiziano), Strathmore, Stonehenge	Beginner - Professional
Specialty & Handmade	Black Ink (Handmade Papers), Legion (Yupo), Strathmore Specialty	Beginner - Advanced
Calligraphy & Ink	Strathmore (Bristol & Calligraphy Pads), Canson, Legion (Yupo), Fabriano	Beginner - Professional
Oil Painting	Arches Oil Paper, Canson Figueras, Fabriano Tela	Intermediate - Professional
Marker & Illustration	Strathmore (Marker Paper & Bristol), Canson, Legion (Yupo), Fabriano	Beginner - Professional

 

Drawing & Sketching Papers

Best for: Graphite, charcoal, colored pencil, ink, and pastel

Sketch Paper (50-70 lb) – Lightweight, good for practice and preliminary drawings.

Drawing Paper (80-100 lb) – Slightly heavier, better for finished pencil work.

Bristol Paper (100-300 lb) – Comes in smooth and vellum textures; ideal for detailed pencil, pen, and marker work.

Toned Paper – Available in shades like tan, gray, and blue, toned paper provides a neutral mid-tone background, allowing artists to add highlights and shadows more effectively. Great for charcoal, graphite, pastel, and colored pencil work.

Black Paper – A deep black surface that works best with white charcoal, pastels, metallic inks, colored pencils, and gel pens.

Pastel Paper – Sanded or textured surface holds soft pastels, charcoal, and chalk.

Charcoal Paper – Specifically designed for charcoal, pastel, and chalk, this paper features a heavier texture (deep tooth) than standard drawing paper, helping hold dry media layers better. Some versions have a laid texture, adding a unique dimension to artwork.

Framing & Care Tips:

• Protect from smudging with fixative, use archival mats, and frame behind UV-protected glass. 
• Toned and black papers are non-archival unless labeled otherwise. Protect artwork with fixative or framing behind glass to prevent fading.

Watercolor Papers

Best for: Watercolors, gouache, and ink washes

90 lb Watercolor Paper – Thin, more prone to buckling but fine for light washes or student projects.

140 lb Watercolor Paper – The most common weight, offering a good balance of stability and absorbency.

300 lb Watercolor Paper – Extremely thick, requires no stretching and is ideal for heavy applications of watercolor and mixed media.

Hot Press (Smooth) – Less absorbent, good for fine details.

Cold Press (Medium Texture) – Most versatile; moderate absorbency and texture.

Rough Press – Highly textured, absorbs more water, great for expressive styles.

Handmade Cotton Rag – Exceptional durability, often 100% cotton.

Watercolor Board – A rigid, heavyweight surface that prevents warping, ideal for large or wet applications. Does not require stretching like watercolor sheets.

Framing & Care Tips:

• Always dry flat, mount with acid-free tape or hinges, and frame with glass to protect against moisture.
• 140 lb or lower should be stretched before heavy washes to prevent buckling. 
• 300 lb paper can be framed directly without warping issues.

Mixed Media Papers

Best for: Watercolor, acrylic, ink, markers, colored pencils, graphite, and light collage

Lightweight Mixed Media Paper (60-90 lb) – Best for dry media, light ink washes, and sketching with markers.

Heavyweight Mixed Media Paper (120-140 lb) – Can handle light watercolor, acrylic layers, and collage techniques.

Smooth Mixed Media Paper – Ideal for ink, markers, and detailed line work.

Textured Mixed Media Paper – Better suited for watercolor, gouache, and light acrylic applications.

Heavyweight Mixed Media Boards – Rigid surfaces for more intense layering and collage.

Illustration Board (Hot Press) – Smooth surface for pen, ink, and marker work.

Illustration Board (Cold Press) – Textured surface, better for watercolor, gouache, and colored pencil.

Illustration Board for Mixed Media – Can handle collage, ink washes, and acrylic layers due to its sturdy structure.

Framing & Care Tips:

• Dry completely before framing, use fixatives for media like pastels or charcoal, and choose UV-protected glass to prevent fading.
• Thicker mixed media paper resists warping better, but for heavy paint applications, consider mounting on a rigid board before framing.
• Mount directly or use floating frames for a clean, professional look.

Bristol Paper

Bristol paper is a heavyweight, multi-ply drawing paper known for its durability and smooth finish. Originally developed in Bristol, England, this paper was made by laminating multiple sheets together to create a thicker, more resilient surface. Today, artists and designers use Bristol for drawing, ink work, marker rendering, and even light painting applications.

Bristol Paper Types: Plate vs. Vellum

Bristol Plate (or Smooth) Finish

• Ultra-smooth surface, ideal for technical drawings, pen & ink, markers, and airbrush work.
• Minimal tooth (texture), allowing for crisp lines and detailed precision.
• Great for comic book artists, architects, and calligraphy work where clean edges matter.

Bristol Vellum Finish

• Slightly textured surface with a fine tooth, offering more grip for pencil, charcoal, and light washes.
• Works well with graphite, colored pencil, and dry media while still being smooth enough for ink.
• More forgiving than smooth, allowing for layering and blending.

How to Choose?

• Choose Plate Finish if you need high-detail, smooth ink work, or marker rendering.
• Choose Vellum Finish if you prefer a little more tooth for grip and shading control.

Framing & Care Tips:

• Store Bristol sheets flat to prevent warping, use fixatives for dry media, and avoid excessive erasing to maintain the surface quality.

Feature	Plate Finish	Vellum Finish
Surface Texture	Ultra-Smooth	Slightly Textured
Best For	Technical drawings, pen & ink, markers, airbrush, calligraphy	Graphite, colored pencil, charcoal, light washes, layering
Line & Detail Work	Crisp, sharp, ideal for precision; Not ideal for blending	Soft edges, allows for blending
Media Compatibility	Ink, markers, fine pen work, technical illustrations	Graphite, pastel, colored pencil, dry media, light ink work
Preferred By	Comic artists, illustrators, architects, designers	Fine artists, colored pencil artists, sketchers

 

Acrylic & Oil Painting Papers

Best for: Acrylics, oils, and mixed media

Acrylic Paper – Textured surface mimics canvas, absorbs paint well.

Oil Paper – Primed with a barrier to prevent oil seepage, eliminating the need for canvas.

Mixed Media Paper – Handles both wet and dry media, making it versatile for layering techniques.

Framing & Care Tips: Use a protective spray to prevent surface damage, mount on a rigid board before framing.

Printmaking Papers

Best for: Etching, lithography, screen printing, and relief printing

Mulberry Paper (Rice Paper) – Delicate but strong; traditional for woodblock prints.

Rives BFK – Soft, archival, and versatile; great for intaglio and lithography.

Stonehenge – Excellent for screen printing, etching, and relief printing.

Somerset Satin – High-quality for fine art prints, used in professional print studios.

Sized Printmaking Papers – Allow for sharp, crisp ink transfer in techniques like relief and lithography.

Unsized Printmaking Papers (like Rives BFK) – Absorb more ink, creating a softer, richer result, great for etching and monoprints.

Framing & Care Tips:

• Store prints flat, use acid-free folders, and frame behind UV-protected glass.
• Use archival matting for thin printmaking papers to prevent curling in frames.
• Store flat with interleaving sheets.

Calligraphy & Ink Papers

Best for: Calligraphy, ink drawing, brush lettering

Bristol (Smooth) – Ink flows smoothly, preventing feathering.

Vellum & Parchment – Historical look, great for elegant calligraphy.

Japanese Washi Paper – Handmade and absorbent, ideal for traditional brush calligraphy.

Framing & Care Tips: Protect from moisture and smudging; frame behind glass or in clear sleeves.

Design & Technical Papers

Best for: Architectural drawings, drafting, graphic design, and precision illustrations

Vellum Paper – Translucent, smooth, and erasable; ideal for drafting, tracing, and fine pen work. Available in heavyweight versions for ink and markers.

Graph Paper – Pre-printed with grids (¼-inch, ⅛-inch, or metric) used for technical drawing, perspective sketching, and design layouts.

Tracing Paper – Lightweight, semi-transparent; used for overlays, transferring designs, and preliminary sketches.

Dura-Lar – Archival polyester film that resists yellowing and tearing. Available in matte, clear, and wet media versions for ink, acrylics, and mixed media.

Marker Paper – Coated surface prevents ink from bleeding through, ensuring crisp, vibrant lines.

Drafting Film – Polyester-based, erasable surface for technical drawings, pen work, and airbrushing.

Blueprint & Specialty Layout Paper – Used for engineering, fashion design, and print layouts.

Framing & Care Tips: Store flat to prevent curling, avoid excessive handling of translucent surfaces, and use archival-quality materials for long-term preservation.

Specialty Papers

Best for: Collage, bookmaking, experimental techniques

Yupo Paper – Synthetic, waterproof, and great for alcohol inks.

Lokta & Handmade Papers – Unique textures, used for bookbinding and mixed media.

Metallic & Iridescent Papers – Add shimmer and dimension to artwork.

Framing & Care Tips: Use acid-free adhesives, avoid direct sunlight to prevent fading.

Paper for Kids & Student Artists

Best for: Finger painting, coloring, early drawing, and school projects

Fingerpaint Paper – Glossy, coated surface prevents excessive absorption, allowing paint to glide smoothly. Great for toddlers and young children.

Construction Paper – Available in vibrant colors, slightly rough texture, and lightweight. Works well for collages, crafts, and basic drawing.

Drawing & Sketch Paper (Lightweight) – 50-70 lb paper suited for crayons, colored pencils, and early art projects.

Newsprint – Budget-friendly practice paper for quick sketches, charcoal, and student projects.

Watercolor Paper for Kids – Lighter-weight versions (90 lb) with good absorbency for school projects and beginner watercolor techniques.

Poster Board & Cardstock – Heavier surfaces for signs, mixed media projects, and presentations.

White & Manila Paper – Common for school drawing and craft activities; smooth and easy to use with crayons, markers, and pastels.

Framing & Care Tips:

• Since many children’s artworks are created with non-archival materials, consider scanning or photographing them for long-term preservation. 
• Use acid-free folders for keepsakes and display work in frames with UV-protected glass to prevent fading.

Kraft & Bulletin Board Papers

Best for: Posters, backgrounds, packaging, and crafts

Kraft Paper – A durable, brown paper used for wrapping, crafts, and drawing. Available in rolls and sheets.

Bulletin Board Paper – Lightweight, colored paper often used for classroom and presentation displays.

Butcher Paper – Similar to Kraft but available in white; commonly used for painting, table coverings, and crafts.

Banner Paper – Large rolls used for signage, murals, and school projects.

Framing & Care Tips: These papers are non-archival, so store away from moisture and direct sunlight. Use adhesive sprays or acid-free mounting for long-term display.

Rigid & Mounting Boards

Best for: Mounting artwork, presentations, architectural models, and backing for framing

Illustration Board (Hot Press) – Smooth surface for pen, ink, and marker work.

Illustration Board (Cold Press) – Textured surface, better for watercolor, gouache, and colored pencil.

Illustration Board for Mixed Media – Can handle collage, ink washes, and acrylic layers due to its sturdy structure.

Foam Core Board – Lightweight yet rigid; used for mounting prints, presentations, and model building.

Gatorboard – Similar to foam core but denser and more durable, resisting warping over time.

Matboard – Acid-free decorative board used for matting and protecting framed artwork. Comes in various colors and textures.

Museum Board – High-quality archival board used for fine art mounting and conservation.

Chipboard – Recycled, unbleached cardboard used for bookbinding, packaging, and crafts.

Corrugated Mounting Board – A strong, layered board with a wavy core. Used for display boards, and DIY projects requiring a lightweight but durable surface.

Framing & Care Tips:

• Keep flat to prevent warping. Use acid-free adhesives and backings for artwork preservation. 
• Foam core should be framed behind glass for protection.
• Mount directly or use floating frames for a clean, professional look.

Eco-Friendly & Recycled Papers

As sustainability becomes a growing concern, many artists are seeking eco-friendly and recycled paper options that reduce environmental impact while maintaining high-quality performance. Whether you're looking for tree-free alternatives, post-consumer recycled content, or responsibly sourced materials, there are plenty of great choices for environmentally conscious art-making.

Recycled Paper

• Made from post-consumer waste (PCW) or pre-consumer recycled materials (scrap from paper production).
• Reduces deforestation and lowers energy/water consumption in manufacturing.
• Available in drawing paper, watercolor paper, mixed media paper, and sketchbooks.
• Some high-quality brands offer 100% recycled cotton rag papers that perform as well as traditional artist papers.
• Examples: Strathmore’s 400 Series Recycled Sketch, Legion Stonehenge Aqua Cold Press Black (made with recycled materials), and handmade cotton rag papers.

Tree-Free Papers

• Made from non-wood fibers such as cotton, hemp, bamboo, flax, kozo, lokta, and banana fiber.
• Cotton papers (like 100% cotton watercolor paper) are durable, archival, and an eco-friendly alternative to wood-based paper.
• Bamboo and hemp papers are rapidly renewable and offer soft, absorbent surfaces perfect for painting and printmaking.
• Examples: Hahnemühle Bamboo, Awagami Kozo papers, and handmade lokta paper.

FSC-Certified & Sustainable Wood Pulp Papers

• FSC (Forest Stewardship Council)-Certified Papers come from responsibly managed forests that meet environmental and ethical standards.
• Alternative pulping processes reduce chemical waste in paper production.
• Many high-end art papers, including watercolor and printmaking papers, now carry the FSC logo to indicate sustainability.
• Examples: Legion Stonehenge Aqua, Arches Watercolor Paper (now FSC-certified), and Fabriano EcoQua notebooks.

· Handmade & Upcycled Papers

• Often crafted from recycled textiles (cotton rags, denim, silk), plants, or paper scraps.
• Some handmade papers incorporate natural elements like flower petals, leaves, and fibers for unique textures.
• Artists can create their own handmade papers using old sketchbooks, scrap paper, or even blue jeans!
• Examples: Black Ink Handmade Papers, Shizen Papers (made from recycled materials), and upcycled denim paper.
• Eco-Friendly Art Tip: Consider using soy-based or water-based inks when working on recycled or handmade papers to maintain sustainability.

Vegan Papers

• Traditional high-end papers, especially watercolor and printmaking papers, often use gelatin sizing, which is derived from animal collagen.
• Vegan papers use plant-based or synthetic sizing, making them a cruelty-free alternative.
• Many bamboo, hemp, and cotton papers are naturally vegan.
• Some brands now clearly label their vegan-friendly options.

Examples:

• Hahnemühle Bamboo (plant-based sizing)
• Legion Stonehenge Aqua (100% cotton, gelatin-free)
• Fabriano EcoQua (vegan-friendly sketchbooks)
• Most handmade and Black Ink papers (gelatin-free)

How to Tell if a Paper is Vegan:

• Look for "gelatin-free" or "vegan-friendly" labeling from manufacturers.
• Choose cotton, bamboo, hemp, or recycled papers, which are often free of animal-derived sizing.
• Reach out to manufacturers for clarification if it's not stated on the packaging.

Why Choose Eco-Friendly Papers?

• Reduces deforestation
• Minimizes water and chemical waste
• Lowers carbon footprint
• Supports sustainable farming and ethical production
• Preserves high-quality performance for artists
• As more artists embrace sustainability, eco-friendly and recycled papers offer a responsible and high-performing alternative to traditional materials.

Handmade & Specialty Papers

Best for: Mixed media, printmaking, book arts, collage, and experimental techniques

Black Ink Papers – A diverse collection of handcrafted papers from around the world, including mulberry, lokta, and metallic-infused papers.

Lokta Paper – Handmade in Nepal from the bark of the lokta plant, offering a fibrous, durable texture. Excellent for bookbinding and mixed media.

Banana & Mango Leaf Paper – Eco-friendly, textured papers incorporating natural plant fibers, used in mixed media, sculpture, and book arts.

Japanese Washi Paper – Thin yet strong, used for traditional printmaking, calligraphy, and fine art applications.

Kozo Paper – Derived from mulberry fibers, known for its durability and translucency.

Denim & Upcycled Papers – Created from repurposed cotton or blue jeans, these surfaces provide a unique texture for drawing, printmaking, and painting.

Handmade Cotton Rag Paper – Produced from recycled textiles, commonly used for high-quality watercolor, printmaking, and bookbinding projects.

Making Your Own Paper

Handmade papermaking is a creative way to recycle materials and experiment with different textures. Artists can use:

Old cotton clothing (like blue jeans) for a durable, fabric-infused surface.

Plant fibers (banana, kozo, flax) for organic textures.

Recycled sketchbooks & newspapers to create textured, eco-friendly papers.

Embedded elements (leaves, flowers, metallic flakes) for decorative effects.

Framing & Care Tips: Handmade papers vary in absorbency and fragility. Protect with fixative for delicate works, store flat, and frame with UV-protected glass for longevity.

Brands: Canson, Strathmore, and Arches

Each of these brands has a rich history and is widely respected in the art world for its high-quality paper products. Here’s a brief background on Canson, Strathmore, and Arches, their origins, and their specialties.

Canson: 500+ Years of Paper Innovation

Founded: 1557 in France
Specialties: Drawing, pastel, mixed media, watercolor, printmaking, and technical papers

Canson is one of the oldest paper manufacturers in the world, dating back to 1557 in Annonay, France. Originally named Montgolfier Paper Mills, the company was deeply involved in the history of papermaking and even contributed to the development of early balloon flight—the famous Montgolfier Brothers (the inventors of the first hot-air balloon) were part of the Canson family.

Key Innovations & Contributions:

• Introduced Mi-Teintes pastel paper, which remains a standard for soft pastel artists today.
• Pioneered student-friendly papers with their XL Series, offering affordable, good-quality sketchbooks and pads.
• Their Montval Watercolor paper was originally developed for French watercolorist Gaspard Maillol.
• Created Figueras Oil Paper, allowing artists to paint with oils without priming a canvas.

Today, Canson remains a leader in fine art, student, and technical papers, offering a range of acid-free and archival options suitable for artists at every level.

Paper Line	Paper Type	Artist Level	Best Uses
XL Series	Student-grade, multipurpose	Student	Sketching, practice, classroom use
Mi-Teintes	Pastel & charcoal paper	Student - Professional	Pastels, charcoal, colored pencil
Montval Watercolor	Watercolor paper (cold press)	Student - Intermediate	Beginner watercolor techniques
Figueras Oil	Oil painting paper (canvas-textured)	Intermediate	Oil painting without priming
Vellum Tracing	Tracing paper	Student - Intermediate	Technical drawing, tracing overlays

 

Strathmore: American-Made Quality Since 1892

Founded: 1892 in the United States
Specialties: Drawing, watercolor, mixed media, bristol, toned, and printmaking papers

Strathmore was founded by Horace Moses in West Springfield, Massachusetts, in 1892. He named the company Strathmore after being inspired by the beautiful thistle flowers growing in the Strathmore Valley of Scotland—hence the famous thistle logo on Strathmore products.

Key Innovations & Contributions:

• Developed the first Bristol board in the U.S., a heavyweight smooth or vellum paper for professional artists.
• Their 400 and 500 Series papers became industry standards for watercolor, drawing, and mixed media artists.
• One of the first companies to produce toned sketch papers, popularized by artists such as Leonardo da Vinci centuries ago.
• Introduced vegan-friendly and sustainable papers, including the Strathmore Bamboo series.
• Today, Strathmore is known for its tiered system of papers:
  300 Series – Student-grade, practice papers.
  400 Series – Mid-tier, archival-quality, better durability.
  500 Series – Professional-grade, 100% cotton, best quality.

Artists in comics, illustration, calligraphy, and fine arts frequently use Strathmore Bristol and toned papers, while their watercolor and mixed media lines remain among the most widely used in the U.S.

Paper Line	Paper Type	Artist Level	Best Uses
300 Series	Entry-level drawing, watercolor, and mixed media	Student -Intermediate	Sketching, light watercolor, student projects
400 Series	Intermediate drawing, watercolor,printmaking	Intermediate - Advanced	Serious artists working in multiple media
500 Series	Professional-grade cotton paper	Professional	Archival-quality fine art work
Bristol	Bristol board (Plate & Vellum)	Intermediate - Professional	Detailed ink work, markers, professional illustration
Toned	Toned sketching paper	Intermediate - Professional	Adding highlights and shadows in sketches

 

Arches: 100% Cotton Paper Masters Since 1492

Founded: 1492 in France
Specialties: Watercolor, printmaking, oil painting, and specialty papers

Arches is one of the most prestigious fine art paper brands in the world, dating back to 1492 in Voges, France. Arches handmade paper was used by great European artists and writers, including Eugène Delacroix, Vincent van Gogh, Pablo Picasso, and Edgar Degas. Even the U.S. Declaration of Independence was printed on Arches paper!

Key Innovations & Contributions:

• One of the first paper mills to use the cylinder mould process, which combines handmade and machine-made techniques for superior texture and durability.
• Created the gold standard in watercolor paper, using 100% cotton fiber for maximum absorbency and resilience.
• Introduced Arches Oil Paper, allowing artists to paint in oil without needing a canvas or priming the surface.
• Their printmaking and etching papers are among the most archival and sought-after in the fine art world.

Today, Arches Watercolor Paper is considered the best professional watercolor paper by many artists due to its high absorbency, durable sizing, and ability to handle multiple washes without breaking down.

Paper Line	Paper Type	Artist Level	Best Uses
Watercolor	100% cotton watercolor paper (cold/hot press, rough)	Professional	High-end watercolor techniques, wet media
Oil Paper	Oil painting paper (non-absorbent)	Professional	Oil painting without the need for priming
Cover & Printmaking	Heavyweight printmaking and cover stock	Professional	Etching, relief printing, fine art bookbinding
Text Wove	Calligraphy and lettering paper	Professional	Calligraphy, hand lettering, illuminated manuscripts

 

Comparing the Three Brands

These three brands represent centuries of innovation in paper-making, each offering unique products tailored for students, illustrators, mixed media artists, printmakers, and fine artists alike.

Brand	Founded	Known For	Best For
Canson	1557, France	Mi-Teintes, Montval Watercolor, XL Series	Pastel, sketching, student & professional mixed media
Strathmore	1892, USA	Bristol, Toned Paper, 300/400/500 Series	Illustration, drawing, calligraphy, mixed media
Arches	1492, France	100% cotton watercolor, oil, and printmaking papers	Professional watercolor, printmaking, fine art

 

Best Paper for Different Types of Art  

Type of Art (Medium)	Recommended Brands	Artist Level
Sketching & Drawing	Strathmore, Canson, Legion (Stonehenge), Fabriano (EcoQua)	Beginner - Professional
Watercolor	Arches, Fabriano (Artistico), Stonehenge Aqua, Canson, Strathmore	Intermediate - Professional
Acrylic & Mixed Media	Strathmore (Mixed Media), Canson, Fabriano, Legion (Stonehenge)	Beginner - Professional
Printmaking	Legion (BFK Rives, Stonehenge), Arches Printmaking, Black Ink	Intermediate - Professional
Pastel & Charcoal	Canson (Mi-Teintes), Fabriano (Tiziano), Strathmore, Stonehenge	Beginner - Professional
Specialty & Handmade	Black Ink (Handmade Papers), Legion (Yupo), Strathmore Specialty	Beginner - Advanced
Calligraphy & Ink	Strathmore (Bristol & Calligraphy Pads), Canson, Legion (Yupo), Fabriano	Beginner - Professional
Oil Painting	Arches Oil Paper, Canson Figueras, Fabriano Tela	Intermediate - Professional
Marker & Illustration	Strathmore (Marker Paper & Bristol), Canson, Legion (Yupo), Fabriano	Beginner - Professional

 

Paper Brands and their Paper

Brand	Paper Type	Best Uses
Strathmore	Sketch, Bristol, Watercolor, Mixed Media, Toned, Charcoal	Sketching, drawing, mixed media, toned papers for highlights
Arches	Watercolor (Cold, Hot, Rough), Oil, Printmaking	Professional watercolor, oil painting, archival quality
Canson	Drawing, Pastel, Watercolor, Mixed Media, Newsprint	Student and professional use, pastel work, affordable
Legion	Stonehenge (Drawing, Printmaking), BFK Rives, Yupo	High-end printmaking, drawing, synthetic options like Yupo
Fabriano	Artistico Watercolor, EcoQua Sketchbooks, Tiziano Pastel	Eco-friendly options, watercolor, soft pastel work
Black Ink	Handmade Papers (Lokta, Kozo, Banana Fiber, Metallic)	Collage, book arts, handmade texture-rich projects
Stonehenge	Printmaking, Mixed Media, Black Paper, Aqua Watercolor	High-quality printmaking, dark backgrounds for contrast
Yupo	Synthetic Paper (Watercolor, Ink, Mixed Media)	Watercolor, alcohol inks, mixed media, synthetic paper

 

Conclusion

Choosing the right paper is as important as selecting your medium. Understanding paper properties will help you create lasting, professional-quality artwork.

If you’re unsure which paper suits your project, visit Alabama Art Supply for expert advice and samples!

 

 

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